![]() “Just like drawing a map based on the descriptions of explorers, the real landscape seldom looks like the dreamscape of a touring rider,” Kelly added. But when it comes down to realizing them, they have to be flexible or they will fail. Like a lot like of business plans, riders can look good on paper. “I don’t know if any music venue or night club can completely satisfy a rider,” Kelly said. Still, it took some time for Kelly to wrap his mind around the budget, the stage, and the rider. Mitchell and Kelly have worked countless events together, creating some of Charlotte’s most memorable parties. ![]() Since the stage in the club was only 17 feet wide and the ceiling is lower than the lighting plot specified, Kelly thought, “I have to really rack my brain for this one.” “My brain went into overload,” Kelly said later on. There were truss towers, moving lights, strobes, blinders, LED up lights, down lights, five LCD TVs, and three projector screens, all covering a 40- by 30-foot stage. The rider was very detailed with CAD drawings and an equipment list that exceeded the budget and size of the stage. “I never imagined that one day I would be the designer for their show,” Kelly mused. If you’ve never witnessed one of their events then you have no idea what a show with great visuals, lasers, giant beach balls with people in them, and a million beams looks like. He handed Kelly the tour rider and asked if he could light it for $4,000. When Kevin Mitchell of Sugar Society booked the legendary Rabbit in the Moon at Amos’ Southend, his ace up his sleeve was Jack Kelly of Eye Dialogue, who had four years of experience doing shows at the Charlotte, NC music hall.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |